We have in our office a large whiteboard. The alleged function of this item is that we should write on it all the jobs we have to do fairly imminently. So posters, visits, gear checks, emails, letters of confirmation as well as eating and sleeping all go on the board. The problem is; I need another board somewhere to remind me to look at the board in the office. Stuff gets written down and my head goes down into whatever we’re doing, and the board, its contents and important little messages disappear from conscious view into that la-la land inhabited by dreamers, poets and people who think they can sell me a kitchen on the phone. Saltburn Folk Club (one of our faves) is on there for Monday evening!
However, there is one thing I never forget, so here it is, all polished, shiny and ready to go.
Be Welcome, Gentle Reader, and read on…
Monday and we in finery and ruff, for The Bridge Folk Club.
The Bridge, lest you not be from round here, touts itself as the oldest folk club for miles around. Probably is too.
It turned out not to be the open singers night we expected, but the Fourth Year Student showcase from the traditional music degree course at t’university down t‘road.
There are pics of the evening someplace around here, courtesy of the Wrinkly Wroadies, who despite copious amounts of beer managed to keep taking photos even when they had long since fallen down.
There were two big impressions that the degree students made upon me.
One, and this the strongest impression, was that the standard of the musicianship was simply fabulous. The players were utterly amazing. It is unfair to pick people out as they were all better than good, better than me, but not as good as they are going to be, however Alistair on the guitar was very, very good indeed and the lad on Bodhran (it probably wasn’t, but looked like a deep bowl version thereof) would be an asset to any ensemble he wandered anywhere near. Oh, and the flute player; he was great, and… and…
The rest of the gang were accomplished musos, despite being light in the passage of years, were heavily burdened by raw, but rapidly polishing, talent.
The second impression, and it hit me quite forcibly, was that there was only one contemporary, original, self –composed (call it what you will) piece all night. All the covers were performed to a really superb standard, and most were a hundred years old. I cannot believe that such talented musicians didn’t have compositions of their own to show off – it would have been nice to hear some of them – I bet they would have been wonderous.
And yes, it was us.
H’mm Folk Clubs…
…it’s probably just me.
We were summoned to appear before the Consett branch of The British Legion on Thursday night. Not to play be to be presented with a nice certificate. Apparently, they felt the need to say ‘thank you’ for our contribution to their fundraising via a performance of ‘Beat The Drum’ earlier in the year. To get the certificate was a privilege, and the support was our pleasure.
I do not wish, in the pages of this blog, to endlessly burden you, Gentle Reader, with a ceaseless flow of verbiage to the effect: “Wow – isn’t FG doing well”.
I don’t want to but…
We’re doing ok, certainly better than ever before. The phone rings, the emails ping, and the musical life is, surprisingly, damn wonderful. We even have to say ‘sorry’ to folks; either because we’re already booked, or because I’d really like to live to see another dawn.
But I will share with you an amazing happenstance from this week.
You will all, Acoustic Chums, know that when touting for gigs, there can be a collective deafness, a corporate silence that blankets and smothers advances from the acousto-muso in search of a booking.
Even if it is offered for nowt.
I can’t begin to count the number of emails we have sent out, asking if people might be interested in our new show about a Carpenter who was present during biblical times at the Feeding of the Five Thousand.
Granted, ‘Fish ‘n Chippy’ was not our most likely commercial effort, but the number of times a nil response is recorded is staggering. Especially when the people you contact are supposed to be running a business or public organization.
So, imagine my surprise when this week, we contacted a large public organisation, spoke to a lovely lady in the morning and by the afternoon had six new bookings in pretty darn good places.
Makes y’feel better about the world.
And no, it’s not for nowt.
They’re not on the website yet, as we’re awaiting times ‘n things, but this was an exceptionally good, if very scary week. There is a bunch of new dates on the website, should you feel so moved:
This week we’ve played four times. I think.
We’ve done care homes and some of our own shows too. We played to a severe dementia unit and it was the most wonderful experience. A man who never talks sang along with fervor, bless him, and there were smiles all round. Nice.
We played an organisation is Stocksfield on Thursday in a lovely little Methodist Chapel, great venue with a nice big white wall for projecting on to. This show was a blast from start to finish. We always enjoy playing, wherever and whenever, but some are better than others. When you get the audience singing along with you, and then a rather pleasing response at the end – it’s better than sliced bread.
So there you are; another week down and still no chance to get near the studio to work on the Harland project. It’s pretty frustrating but the only way is onward. Thusly;
Onward Mes Braves,
Onward upward, over the top,
And keep your ‘ead low,
It’s onward and upward and on with the show.
There’s a song in there somewhere, I must go and write it on the board.
And so as the inevitable last drip of the week falls down the trouser leg of time, may the warmth of Folk be with you,
Until next time, Acoustic Chums,
 Just look at the residents. Old as us, some of ’em.
 They really were that good. Grrrrrr.
 …isn’t it?
 I hope you’re sitting down. I hope you’re comfortable and wearing at least some clothes.
 What do you mean, ‘Peanut Butter’? What do think I am; a pervert?